Andrea del Sarto
b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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Andrea del Sarto Verkundigung oil painting


Verkundigung
English: c. 1520-1530 Medium Oil on panel cyf
Painting ID::  82487
Andrea del Sarto
Verkundigung
English: c. 1520-1530 Medium Oil on panel cyf
   
   
     

Andrea del Sarto Madonna of the Harpies oil painting


Madonna of the Harpies
1517(1517) Medium Oil on wood cyf
Painting ID::  82492
Andrea del Sarto
Madonna of the Harpies
1517(1517) Medium Oil on wood cyf
   
   
     

Andrea del Sarto Assumption of the Virgin oil painting


Assumption of the Virgin
1522-1523 Medium Oil on wood cyf
Painting ID::  82654
Andrea del Sarto
Assumption of the Virgin
1522-1523 Medium Oil on wood cyf
   
   
     

Andrea del Sarto Disput ber die Dreifaltigkeit oil painting


Disput ber die Dreifaltigkeit
1517 - 1518 Medium Oil on panel Dimensions Deutsch: 232 x 194 cm cyf
Painting ID::  82689
Andrea del Sarto
Disput ber die Dreifaltigkeit
1517 - 1518 Medium Oil on panel Dimensions Deutsch: 232 x 194 cm cyf
   
   
     

Andrea del Sarto Madonna mit Heiligen und einem Engel oil painting


Madonna mit Heiligen und einem Engel
Oil on panel Dimensions Deutsch: 177 x 135 cm cyf
Painting ID::  82722
Andrea del Sarto
Madonna mit Heiligen und einem Engel
Oil on panel Dimensions Deutsch: 177 x 135 cm cyf
   
   
     

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     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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